All that is good, beautiful, and true comes in threes—sweet, salty, and sour; heads, hands, and hearts; darkness, light, and...
A look back at what was possible under Covid conditions at events at the turn of the year: The restriction...
Thee heaven appears in ‹Faust› three times: at the beginning, when God and Mephisto negotiate the soul of Faust, at the end when Faust ascends, and in the middle when Gretchen calls the heavenly ones to herself in the dungeon. It is the way from the fatherly, ordering heaven to...
Two hundred years ago, in his Faust, Goethe described something astonishingly relevant for today: the path to inner clarity must...
Colmar, France. From July 10 to 14, the Goetheanum will host the Theater Festival. The French Théâtre de L’Homme Inconnu...
“Here, the audience adds something. Through perception, through listening ‘from outside,’ the ‘unheard’ becomes possible.” This is how author Marc Vereeck describes it in his article “Listening While Acting.” Listening is essential for a play: the transformation of written text into living language and characters. The audience adds something—or, to...
In October 2025, the new Faust production by Andrea Pfaehler with Rafael Tavares as eurythmy director will celebrate its premiere...
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