{"id":11718,"count":6,"description":"In 1938, <em><span class=\"notion-enable-hover\" data-token-index=\"1\">Faust I<\/span> <\/em>and <span class=\"notion-enable-hover\" data-token-index=\"3\"><em>II<\/em> <\/span>were performed in their entirety for the first time at the Goetheanum\u2014it was the world premiere. The Goetheanum stage recently performed <em><span class=\"notion-enable-hover\" data-token-index=\"5\">Faust I<\/span> <\/em>and <em><span class=\"notion-enable-hover\" data-token-index=\"7\">II<\/span> <\/em>in October and will do so again three times next summer. That will make 100 performances! The performance is shorter now, and the rehearsal period is more condensed. What remains is that the Goetheanum is rejuvenated by this inexhaustible stream of Goethe's words and images. This is how Marietje Pfaehler, the mother of <em><span class=\"notion-enable-hover\" data-token-index=\"9\">Faust<\/span> <\/em>director Andrea Pfaehler, recently described it. I feel the same way. Do you?<!-- notionvc: 1487b919-7a00-4417-b3a4-424719613dfd -->","link":"https:\/\/dasgoetheanum.com\/en\/tag\/english-issue-45-2025\/","name":"English Issue 45\/2025","slug":"english-issue-45-2025","taxonomy":"post_tag","meta":[],"_links":{"self":[{"href":"https:\/\/dasgoetheanum.com\/en\/wp-json\/wp\/v2\/tags\/11718","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dasgoetheanum.com\/en\/wp-json\/wp\/v2\/tags"}],"about":[{"href":"https:\/\/dasgoetheanum.com\/en\/wp-json\/wp\/v2\/taxonomies\/post_tag"}],"wp:post_type":[{"href":"https:\/\/dasgoetheanum.com\/en\/wp-json\/wp\/v2\/posts?tags=11718"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}