{"id":72425,"date":"2026-05-13T08:10:00","date_gmt":"2026-05-13T06:10:00","guid":{"rendered":"https:\/\/dasgoetheanum.com\/?p=72425"},"modified":"2026-05-13T23:48:56","modified_gmt":"2026-05-13T21:48:56","slug":"sublime-poetry","status":"publish","type":"post","link":"https:\/\/dasgoetheanum.com\/en\/sublime-poetry\/","title":{"rendered":"Sublime Poetry"},"content":{"rendered":"\n<p><em>New York City\/Chestnut Ridge. <\/em><strong>Viewing Raphael&#8217;s paintings through an anthroposophical lens.<\/strong><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p>Raffaello Sanzio da Urbino\u2014known primarily as Raphael\u2014was an Italian painter and architect considered, alongside Leonardo da Vinci and Michelangelo, to be one of the most important artists of the Renaissance. An exhibition dedicated to Raphael&#8217;s works is on display at the Metropolitan Museum of Art (MET) until the end of June. It places particular emphasis on the lyrical quality of his paintings and on his portrayal of women. To accompany the MET exhibition, the Threefold Educational Foundation is organizing a conference on the artist from June 5th to 7th, 2026. The conference content builds upon Rudolf Steiner&#8217;s research on Raphael&#8217;s incarnations and incorporates Novalis&#8217; poetic reflections on the world into the understanding of these mysteries. On June 4th, the day before the conference begins, the Anthroposophical Society in New York will host an evening where participants can share their impressions of the MET exhibition; contextualization of insights from Steiner&#8217;s Last Address will also be offered.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p><strong>More <\/strong><a href=\"https:\/\/www.metmuseum.org\/de\/exhibitions\/raphael-sublime-poetry\" target=\"_blank\" rel=\"noreferrer noopener\">Metropolitan Museum of Art<\/a> and <a href=\"https:\/\/threefold.org\/raphael\/\" target=\"_blank\" rel=\"noreferrer noopener\">Threefold<\/a><\/p>\n\n\n\n<p><strong>Translation <\/strong>Paula Boslau<br><strong>Image<\/strong> Raffael, Madona de Alba, <a href=\"https:\/\/creativecommons.org\/licenses\/by-sa\/3.0\/deed.en\" target=\"_blank\" rel=\"noreferrer noopener\">CC BY-SA 3.0<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>New York City\/Chestnut Ridge. Viewing Raphael&#8217;s paintings through an anthroposophical lens. Raffaello Sanzio da Urbino\u2014known primarily as Raphael\u2014was an Italian painter and architect considered, alongside Leonardo da Vinci and Michelangelo, to be one of the most important artists of the Renaissance. An exhibition dedicated to Raphael&#8217;s works is on display at the Metropolitan Museum of Art (MET) until the end of June. It places particular emphasis on the lyrical quality of his paintings and on his portrayal of women. To [&hellip;]<\/p>\n","protected":false},"author":19305,"featured_media":72077,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[8784,8820,10458],"tags":[11794,11795,8803,8799],"class_list":["post-72425","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exhibition","category-news","category-painting","tag-ausgabe-18-2026-en","tag-english-issue-20-2026","tag-news-en-2","tag-worldwide"],"acf":[],"_links":{"self":[{"href":"https:\/\/dasgoetheanum.com\/en\/wp-json\/wp\/v2\/posts\/72425","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dasgoetheanum.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dasgoetheanum.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dasgoetheanum.com\/en\/wp-json\/wp\/v2\/users\/19305"}],"replies":[{"embeddable":true,"href":"https:\/\/dasgoetheanum.com\/en\/wp-json\/wp\/v2\/comments?post=72425"}],"version-history":[{"count":2,"href":"https:\/\/dasgoetheanum.com\/en\/wp-json\/wp\/v2\/posts\/72425\/revisions"}],"predecessor-version":[{"id":72436,"href":"https:\/\/dasgoetheanum.com\/en\/wp-json\/wp\/v2\/posts\/72425\/revisions\/72436"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dasgoetheanum.com\/en\/wp-json\/wp\/v2\/media\/72077"}],"wp:attachment":[{"href":"https:\/\/dasgoetheanum.com\/en\/wp-json\/wp\/v2\/media?parent=72425"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dasgoetheanum.com\/en\/wp-json\/wp\/v2\/categories?post=72425"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dasgoetheanum.com\/en\/wp-json\/wp\/v2\/tags?post=72425"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}