{"id":68422,"date":"2025-10-22T20:41:07","date_gmt":"2025-10-22T18:41:07","guid":{"rendered":"https:\/\/dasgoetheanum.com\/?p=68422"},"modified":"2025-10-23T19:54:52","modified_gmt":"2025-10-23T17:54:52","slug":"the-beauty-of-human-centeredness","status":"publish","type":"post","link":"https:\/\/dasgoetheanum.com\/en\/the-beauty-of-human-centeredness\/","title":{"rendered":"The Beauty of Human Centeredness"},"content":{"rendered":"On September 16, 2025, at the age of 90, Robert Redford, perhaps the last Hollywood icon, died. What made his acting so great?\n\n\n\n\n\n\n\nOne of his last films, All Is Lost, is something of a legacy for the great actor Robert Redford. He plays a lone sailor in the Indian Ocean, fighting for survival. Except for a few quiet curses and an attempted SOS using the broken radio, the blond actor remains silent for 100 minutes. What speaks in the silence is his gaze. In theater, posture and gestures are significant; in film, it is the eyes. Redford looks at the clouds, the rigging, the compass, and then inward as he tastes what little fresh water he has left. How much a look can convey, especially when it seeks nothing but is in dialogue! \u201cI'm sorry\u201d is the first sentence we hear in the film, rea<div class=\"leaky_paywall_message_wrap\"><div id=\"leaky_paywall_message\">Would you like to carry on reading? <a href=\"\/en\/subscribe\/\">Get to know us for 1.-<\/a>. If you are already a subscriber, <a href=\"#\" class=\"modal-tr\" data-type=\"latl\">please log-in<\/a> to continue reading.<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>On September 16, 2025, at the age of 90, Robert Redford, perhaps the last Hollywood icon, died. What made his acting so great? One of his last films, All Is Lost, is something of a legacy for the great actor Robert Redford. He plays a lone sailor in the Indian Ocean, fighting for survival. Except for a few quiet curses and an attempted SOS using the broken radio, the blond actor remains silent for 100 minutes. What speaks in the [&hellip;]<\/p>\n","protected":false},"author":9159,"featured_media":68307,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[9097,10939],"tags":[11711,11712,8824],"class_list":["post-68422","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art","category-obituary","tag-ausgabe-42-2025-en","tag-english-issue-43-2025","tag-spotlights"],"acf":[],"_links":{"self":[{"href":"https:\/\/dasgoetheanum.com\/en\/wp-json\/wp\/v2\/posts\/68422","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dasgoetheanum.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dasgoetheanum.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dasgoetheanum.com\/en\/wp-json\/wp\/v2\/users\/9159"}],"replies":[{"embeddable":true,"href":"https:\/\/dasgoetheanum.com\/en\/wp-json\/wp\/v2\/comments?post=68422"}],"version-history":[{"count":0,"href":"https:\/\/dasgoetheanum.com\/en\/wp-json\/wp\/v2\/posts\/68422\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dasgoetheanum.com\/en\/wp-json\/wp\/v2\/media\/68307"}],"wp:attachment":[{"href":"https:\/\/dasgoetheanum.com\/en\/wp-json\/wp\/v2\/media?parent=68422"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dasgoetheanum.com\/en\/wp-json\/wp\/v2\/categories?post=68422"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dasgoetheanum.com\/en\/wp-json\/wp\/v2\/tags?post=68422"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}