{"id":60830,"date":"2024-10-30T15:38:02","date_gmt":"2024-10-30T14:38:02","guid":{"rendered":"https:\/\/dasgoetheanum.com\/?p=60830"},"modified":"2024-10-30T15:38:07","modified_gmt":"2024-10-30T14:38:07","slug":"music-as-food","status":"publish","type":"post","link":"https:\/\/dasgoetheanum.com\/en\/music-as-food\/","title":{"rendered":"Music as Food"},"content":{"rendered":"\n<p><p><em>Kassel, Germany.<\/em> <strong>Christoph Quadflieg, curative educator, singing teacher, choirmaster, and singer, ran Sing&#8217;in at Kassel Central Station this summer, a store where people can experience their musicality. In this interview, he talks about the initiative.<\/strong><\/p><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p><strong>What is your intention at Sing&#8217;in?<\/strong><\/p>\n\n\n\n<p>I would like to create a place where all employees can work artistically for a short time every day while singing. It would be a caf\u00e9, and the menu would include ten minutes of singing, sculpting, eurythmy, painting, thinking, or playing. There would be no claim to a study goal here, no \u201cbest.\u201d People would experience themselves working and could start at any level of education. For now, it is a store without a caf\u00e9 and only with music as food.<\/p>\n\n\n\n<p><strong>Which encounters in the store are particularly memorable for you?<\/strong><\/p>\n\n\n\n<p>Day 3: \u201cMy train leaves at &#8217;46.\u2019\u201d The woman wants to sing the song \u201cMaienwind am Abend.\u201d We sing it with a delicate \u201cdim,\u201d ending with \u201cla, la.\u201d It becomes very easy, she beams. In the evening, I received a text message: \u201cThat was the best thing of the day\u2014the May wind, thank you! Great idea.\u201d Day 22: The young Moroccan doesn&#8217;t know any songs, so he sings \u201cO\u201d after me. Little by little, his lips, nose, eyes, ears, the top of his head and finally a feeling are supposed to help form the \u201cO\u201d. After a warm and radiant tone, he leaves the store visibly happy. Day 67: A neatly dressed man with a rucksack, a sleeping mat, and no money: we sing, \u201cHey, ho, get excited &#8230;\u201d\u2014he is in tears. He becomes quiet, I say: \u201cThat sounds nice\u201d, he replies that he has done everything wrong. I play the postlude of the mourning Pamina\u2014this suffering sounds so beautiful through the music. He calmly leaves after 15 minutes.<\/p>\n\n\n\n<p><strong>Why is music and especially singing so nourishing?<\/strong><\/p>\n\n\n\n<p>A short while ago, I was chewing, swallowing, shouting, and smiling with you\u2014now, all these body parts and functions are being used to sing a beautiful tone and sound. This is the sensory result of a very largely or fully consciously experienced process of thinking, hearing, feeling, and building. I experience myself creating reality. In this way, we are able to free the longing and the need for art from obstacles.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p><strong>Contact <\/strong><a href=\"mailto:quadfliegc@t-online.de\" target=\"_blank\" rel=\"noreferrer noopener\">quadfliegc@t-online.de<\/a><\/p>\n\n\n\n<p><strong>Translation <\/strong>Charles Cross<br><strong>Image<\/strong> Christoph Quadflieg at Sing&#8217;in in Kassel main station, photo: Gabriele Wolf<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Kassel, Germany. Christoph Quadflieg, curative educator, singing teacher, choirmaster, and singer, ran Sing&#8217;in at Kassel Central Station this summer, a store where people can experience their musicality. In this interview, he talks about the initiative. What is your intention at Sing&#8217;in? I would like to create a place where all employees can work artistically for a short time every day while singing. It would be a caf\u00e9, and the menu would include ten minutes of singing, sculpting, eurythmy, painting, thinking, [&hellip;]<\/p>\n","protected":false},"author":19305,"featured_media":59887,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[9097,8817],"tags":[11549,11572,8803,8799],"class_list":["post-60830","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art","category-event","tag-ausgabe-36-2024-en","tag-english-issue-44-2024","tag-news-en-2","tag-worldwide"],"acf":[],"_links":{"self":[{"href":"https:\/\/dasgoetheanum.com\/en\/wp-json\/wp\/v2\/posts\/60830","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dasgoetheanum.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dasgoetheanum.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dasgoetheanum.com\/en\/wp-json\/wp\/v2\/users\/19305"}],"replies":[{"embeddable":true,"href":"https:\/\/dasgoetheanum.com\/en\/wp-json\/wp\/v2\/comments?post=60830"}],"version-history":[{"count":0,"href":"https:\/\/dasgoetheanum.com\/en\/wp-json\/wp\/v2\/posts\/60830\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dasgoetheanum.com\/en\/wp-json\/wp\/v2\/media\/59887"}],"wp:attachment":[{"href":"https:\/\/dasgoetheanum.com\/en\/wp-json\/wp\/v2\/media?parent=60830"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dasgoetheanum.com\/en\/wp-json\/wp\/v2\/categories?post=60830"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dasgoetheanum.com\/en\/wp-json\/wp\/v2\/tags?post=60830"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}