{"id":59114,"date":"2024-08-01T14:00:00","date_gmt":"2024-08-01T12:00:00","guid":{"rendered":"https:\/\/dasgoetheanum.com\/?p=59114"},"modified":"2024-07-31T12:55:07","modified_gmt":"2024-07-31T10:55:07","slug":"marie-steiner-von-sivers-as-a-pioneer-of-the-stage","status":"publish","type":"post","link":"https:\/\/dasgoetheanum.com\/en\/marie-steiner-von-sivers-as-a-pioneer-of-the-stage\/","title":{"rendered":"Marie Steiner-von Sivers as a Pioneer of the Stage"},"content":{"rendered":"Marie Steiner-von Sivers, a trained actor, worked tirelessly with Rudolf Steiner over the years leading up to the \u201cDramatic Course\u201d of 1924. After the course and Rudolf Steiner\u2019s death six months later, Marie Steiner continued her artistic quest with incomparable intensity and in a new form: as a pioneer of the art of directing.\n\n\n\n\n\n\n\nMarie Steiner-von Sivers learned the art of the stage between 1894 and 1901 through three cultures, three cities, three women, three styles, and three stories. She first studied in Paris with Madame Favart (1833\u20131908), the so-called Queen of the Com\u00e9die Fran\u00e7aise. She then continued her training in St. Petersburg with the virtuoso Maria von Strauch-Spettini (1847\u20131904) from the Imperial German Theater. Finally, she studied in Berlin with the Aust<div class=\"leaky_paywall_message_wrap\"><div id=\"leaky_paywall_message\">Would you like to carry on reading? <a href=\"\/en\/subscribe\/\">Get to know us for 1.-<\/a>. If you are already a subscriber, <a href=\"#\" class=\"modal-tr\" data-type=\"latl\">please log-in<\/a> to continue reading.<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Marie Steiner-von Sivers, a trained actor, worked tirelessly with Rudolf Steiner over the years leading up to the \u201cDramatic Course\u201d of 1924. After the course and Rudolf Steiner\u2019s death six months later, Marie Steiner continued her artistic quest with incomparable intensity and in a new form: as a pioneer of the art of directing. Marie Steiner-von Sivers learned the art of the stage between 1894 and 1901 through three cultures, three cities, three women, three styles, and three stories. She [&hellip;]<\/p>\n","protected":false},"author":20603,"featured_media":58599,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[8789,10464],"tags":[11533,11523,8814],"class_list":["post-59114","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-research","category-stage-arts","tag-english-issue-31-32-2024","tag-ausgabe-24-2024-en","tag-musings"],"acf":[],"_links":{"self":[{"href":"https:\/\/dasgoetheanum.com\/en\/wp-json\/wp\/v2\/posts\/59114","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dasgoetheanum.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dasgoetheanum.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dasgoetheanum.com\/en\/wp-json\/wp\/v2\/users\/20603"}],"replies":[{"embeddable":true,"href":"https:\/\/dasgoetheanum.com\/en\/wp-json\/wp\/v2\/comments?post=59114"}],"version-history":[{"count":0,"href":"https:\/\/dasgoetheanum.com\/en\/wp-json\/wp\/v2\/posts\/59114\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dasgoetheanum.com\/en\/wp-json\/wp\/v2\/media\/58599"}],"wp:attachment":[{"href":"https:\/\/dasgoetheanum.com\/en\/wp-json\/wp\/v2\/media?parent=59114"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dasgoetheanum.com\/en\/wp-json\/wp\/v2\/categories?post=59114"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dasgoetheanum.com\/en\/wp-json\/wp\/v2\/tags?post=59114"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}