{"id":46146,"date":"2023-03-24T15:05:29","date_gmt":"2023-03-24T14:05:29","guid":{"rendered":"https:\/\/dasgoetheanum.com\/?p=46146"},"modified":"2023-03-24T15:05:32","modified_gmt":"2023-03-24T14:05:32","slug":"there-is-a-space-in-the-heart","status":"publish","type":"post","link":"https:\/\/dasgoetheanum.com\/en\/there-is-a-space-in-the-heart\/","title":{"rendered":"There is a Space in the Heart"},"content":{"rendered":"Fabienne Verdier found her inspiration for her artistic and spiritual path in China. However, today she often cites Novalis, Goethe, Jakob B\u00f6hme, Meister Eckhart, etc. Those who delve into the work of the French artist will notice similarities with Goethe's method. Her works have recently been shown in two remarkable exhibitions, one of which - at the Museum Unterlinden in Colmar - has been extended until May 2023.\n\n\n\n\n\n\n\nThe great painter Zao Wou-Ki, like the writer Fran\u00e7ois Cheng, came to France from China. Fabienne Verdier, on the other hand, traveled from west to east. After studying at the Toulouse School of Art, she went alone to China to study calligraphy with the last great Chinese masters. In an autobiographyFabienne Verdier, Signs of Silence, an Initiation in China. Editi<div class=\"leaky_paywall_message_wrap\"><div id=\"leaky_paywall_message\">Would you like to keep reading? We're pleased to present our Summer 2026 offer, valid until August 8: <a href=\"https:\/\/dasgoetheanum.com\/en\/subscribe\/\"> three months of free access <\/a> \u2013 cancel anytime.\r\n<br><br>\r\nIf you're already a subscriber, <a href=\"#\" class=\"modal-tr\" data-type=\"latl\">please log in here<\/a> to continue reading.<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Fabienne Verdier found her inspiration for her artistic and spiritual path in China. However, today she often cites Novalis, Goethe, Jakob B\u00f6hme, Meister Eckhart, etc. Those who delve into the work of the French artist will notice similarities with Goethe&#8217;s method. Her works have recently been shown in two remarkable exhibitions, one of which &#8211; at the Museum Unterlinden in Colmar &#8211; has been extended until May 2023. The great painter Zao Wou-Ki, like the writer Fran\u00e7ois Cheng, came to [&hellip;]<\/p>\n","protected":false},"author":9217,"featured_media":45873,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[10458,8784],"tags":[11314,8824],"class_list":["post-46146","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-painting","category-exhibition","tag-2023-11-en","tag-spotlights"],"acf":[],"_links":{"self":[{"href":"https:\/\/dasgoetheanum.com\/en\/wp-json\/wp\/v2\/posts\/46146","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dasgoetheanum.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dasgoetheanum.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dasgoetheanum.com\/en\/wp-json\/wp\/v2\/users\/9217"}],"replies":[{"embeddable":true,"href":"https:\/\/dasgoetheanum.com\/en\/wp-json\/wp\/v2\/comments?post=46146"}],"version-history":[{"count":0,"href":"https:\/\/dasgoetheanum.com\/en\/wp-json\/wp\/v2\/posts\/46146\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dasgoetheanum.com\/en\/wp-json\/wp\/v2\/media\/45873"}],"wp:attachment":[{"href":"https:\/\/dasgoetheanum.com\/en\/wp-json\/wp\/v2\/media?parent=46146"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dasgoetheanum.com\/en\/wp-json\/wp\/v2\/categories?post=46146"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dasgoetheanum.com\/en\/wp-json\/wp\/v2\/tags?post=46146"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}