{"id":38014,"date":"2022-05-18T13:43:00","date_gmt":"2022-05-18T11:43:00","guid":{"rendered":"https:\/\/dasgoetheanum.com\/?p=38014"},"modified":"2022-05-20T08:28:22","modified_gmt":"2022-05-20T06:28:22","slug":"as-soon-as-you-trust-yourself-you-will-know-how-to-live","status":"publish","type":"post","link":"https:\/\/dasgoetheanum.com\/en\/as-soon-as-you-trust-yourself-you-will-know-how-to-live\/","title":{"rendered":"As Soon As You Trust Yourself, You Will Know How to Live"},"content":{"rendered":"\n<p>Now, after Easter, the rehearsals for \u2039Faust 2022\u203a have begun. In July, the curtain rises on the third year of the new production of the powerful stage piece, directed by Andrea Pfaehler (eurythmy: Eduardo Torres).<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p>\u00abAs soon as you trust yourself, you will know how to live.\u00ab This is what Mephisto promises &#8211;  and more than the magic potion that Faust then consumes, it is this \u2039Yes!\u203a to himself that rejuvenates, that opens the door to the world, the door to love. This year, the ensemble is moving this Faustian exclamation to the center of the production. This sentence takes Faust on two infinite journeys: to the core of his soul and \u2039to the stars\u203a. What for? To completely fulfill this challenge, this mission to be one&#8217;s own teacher and master, to completely drink the actual magic potion &#8211; the potion of freedom. The pandemic and war have unhinged lives that were thought to be secure. The Faustian lesson, of learning to follow one&#8217;s own compass, was heard everywhere, again and again. For thousands of years, we have been telling each other stories, legends, and fairy tales &#8211; always for the sake of this great goal: someone goes on a journey to find themself, to save themself, and we go with them, feeling, thinking, because his story, because her story, becomes our story. Soaked with a thousand journeys, we are ready for the adventure of our own journey. Nine hours of \u2039Faust\u203a at the Goetheanum promises provisions for this journey. \u2039Faust\u203a at the Goetheanum is a production in development. Several scenes, such as the \u2039Prologue in Heaven\u203a and the final scene, \u2039Mountain Gorges\u203a, have been restaged. Andrea Pfaehler has also brought more young actresses and actors from the Junge B\u00fchne, the Youth Ensemble, into the \u2039Faust\u203a Ensemble to give \u2039Faust\u203a at the Goetheanum a younger face.<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p><strong>\u2039Faust\u203a at the Goetheanum<\/strong> 8th \u201310th of July, 15th \u201317th of July, 23rd \u2013 25th of July 2022.<\/p>\n\n\n\n<p><strong>Image <\/strong>Philipp Tok<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Now, after Easter, the rehearsals for \u2039Faust 2022\u203a have begun. In July, the curtain rises on the third year of the new production of the powerful stage piece, directed by Andrea Pfaehler (eurythmy: Eduardo Torres). \u00abAs soon as you trust yourself, you will know how to live.\u00ab This is what Mephisto promises &#8211; and more than the magic potion that Faust then consumes, it is this \u2039Yes!\u203a to himself that rejuvenates, that opens the door to the world, the door [&hellip;]<\/p>\n","protected":false},"author":9159,"featured_media":37908,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[8779,9255,2515],"tags":[9252,8803,8800],"class_list":["post-38014","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-announcements","category-faust-en","category-nachricht","tag-2022-18-en","tag-news-en-2","tag-on-site"],"acf":[],"_links":{"self":[{"href":"https:\/\/dasgoetheanum.com\/en\/wp-json\/wp\/v2\/posts\/38014","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dasgoetheanum.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dasgoetheanum.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dasgoetheanum.com\/en\/wp-json\/wp\/v2\/users\/9159"}],"replies":[{"embeddable":true,"href":"https:\/\/dasgoetheanum.com\/en\/wp-json\/wp\/v2\/comments?post=38014"}],"version-history":[{"count":0,"href":"https:\/\/dasgoetheanum.com\/en\/wp-json\/wp\/v2\/posts\/38014\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dasgoetheanum.com\/en\/wp-json\/wp\/v2\/media\/37908"}],"wp:attachment":[{"href":"https:\/\/dasgoetheanum.com\/en\/wp-json\/wp\/v2\/media?parent=38014"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dasgoetheanum.com\/en\/wp-json\/wp\/v2\/categories?post=38014"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dasgoetheanum.com\/en\/wp-json\/wp\/v2\/tags?post=38014"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}